The Sharp Knife of a Short Life: Thoughts on tick, tick...Boom!

Courtesy of TV Insider

Back in 2003, I saw tick, tick...Boom! on stage. I had wanted to see it because I knew it was written by Jonathan Larson and I was (and still am) a huge Rent fan. I didn't really know much about the story or songs, but I  fell in love with it right away. At the time, Christian Campbell (Trick), Wilson Cruz (My So-Called Life), and Nikki Snelson (Legally Blonde: The Musical) were in it. After the show, my sister, friend, and I got to meet the actors and they were so nice! I also bought the soundtrack right away and couldn't stop listening to it! So yeah, I've been into TTB for a long time. I was thrilled to find out that it was being made into a movie and I counted down the days until it finally was released on Netflix. So seeing it this past weekend was a total treat in more ways than one. It was well worth the 18 1/2 year wait (since I last saw it, at least). I don't remember the dialogue from the stage production, but the music was definitely fresh in my head, so it was interesting to see what they would do with it on film. I was more than pleasantly surprised. 

With Christian Campbell, who played Jonathan (2003)

With Wilson Cruz, who played Michael (2003)

With Robin de Jesús, who played Michael in the movie (2009)

The story is set up with Jonathan (played perfectly by Andrew Garfield) doing a one-man show for an audience, with some singing help from Roger (Joshua Henry) and Karessa (Vanessa Hudgens). During this time, he's telling his story and interjecting songs throughout. It is similar to this actual performance by Jonathan Larson. In case you weren't aware yet, TTB is about Jonathan Larson trying to get a musical produced (not Rent though) and all the obstacles he runs into along the way, such as time, money, demands from his girlfriend (Susan, played by Alexandra Shipp) and best friend (Michael, played by Robin de Jesús, shown above), needing to write one more song, etc. The story takes place right before he turns 30, in early 1990 and he is feeling like he's not meeting any milestones. To go with this time period, there's a cordless phone with an antenna, an old computer with really old word processing software, etc. The fashion is early 90s and New York City doesn't have all the bright lights everywhere you go. This is also during the height of the AIDS crisis. I don't want to say too much about what happens, as to not spoil it. To alleviate confusion, the scenes where Jonathan is playing piano take place shortly after the scenes where he is interacting with people in the city, at the diner, or at his apartment. I will be sharing spoilers below the trailer, for anyone who has seen it and wants to share in my love for this movie.

While Jonathan Larson wrote the story and it was about his life, Lin-Manuel Miranda directed the movie. This is such a great marriage of two incredibly talented minds. I wrote about my love for both artists a while back, so it's fitting that they came together in this way. There are a LOT of Broadway and other celebrity appearances in this show and so many Rent Easter eggs throughout. So be on the lookout when you watch it.

Even though I loved the movie version of In the Heights, I enjoyed this movie version of a musical even more. My older son agrees with me on that. There was something about this movie that spoke to me and I can't stop thinking about it. It felt so raw and honest the entire time and it is relatable no matter what age you are. I was younger than 30 when I first saw it, and 30 is now far back in my rearview mirror.

Andrew Garfield was excellent and captured Jonathan's essence and kindness, bringing him back to life in so many ways. I also love how NYC served as the backdrop and just added so much more to the story. It didn't need to be all flashy to do that job.

If this is the first you're hearing about tick, tick...Boom!, check out the trailer and then make a date to watch it soon! Just don't read past the trailer to avoid spoilers! And have a box of tissues nearby...

 

My thoughts with spoilers:

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* While they added in some new songs (well, songs that Jonathan wrote that weren't in the original stage production), they also took out or shortened some others. "Green Green Dress" was used as background music during a seduction scene. It was a cool cover of the song and I was told that the song is played in full during the end credits, but I didn't get that far. "Sugar" was reduced to one line in order to prove a point. "Real Life" was one line repeated a bunch of times. 

* "Sunday" was the best, with all the Broadway cameos. I recognized Bebe Neuwirth, Brian Stokes Mitchell, Renee Elise Goldsberry, Phillipa Soo, Andre De Shields, Bernadette Peters, Lin-Manuel Miranda, Adam Pascal, Daphne Rubin Vega, and Wilson Jermaine Heredia, Phylicia Rashad, and Chita Rivera. There were some others I didn't recognize or missed altogether until it was pointed out to me later. I really need to watch that scene again. I love how it added so much essence to the song. And the chaos right before it started reminded me of restaurant jobs I've had in the past. 

* At the focus group, it was easy to recognize Laura Benanti and Utkarsh Ambudkar (who is in every single TV show and movie), but you may not know that Danielle Ferland played the woman with the short blond hair. She was the original Red Riding Hood in Into the Woods!

* There was an abstract feel to the show that reminded me of Chicago soemtimes, especially during 

* I loved some other celebrity appearances, as well. Judith Light was great as Jonathan's agent, Rosa. Bradley Whitford was so convincing as Stephen Sondheim. It was fun to see Richard Kind, even though I always think of him as Bing Bong. It was also a pleasant surprise to see Christopher Jackson! I found out later that I missed appearances from Chris Sullivan, Luis Miranda, and Roger Bart. Another reason (among many) to watch again. 

* I think knowing Jonathan's ultimate fate made the story feel much heavier, like time really was ticking for him and he had no idea six years prior to his death. It packed in an extra punch to an already emotionally impactful story. My subject line is from The Band Perry's "If I Die Young" and it's fitting for Jonathan. 

* I liked that they included "Boho Days" into the movie. It's a hidden track on the stage cast recording, so I feel like it's incredibly underrated. 

* One of the Rent Easter eggs I caught was when Jonathan was mentioning friends who died from AIDS and all the names were those from the support group in Rent. (Steve, Ali, Pam, etc.) There was also a Rent vibe in general whenever Jonathan was talking and describing things. He reminded me so much of Mark during those times.

* The song "Why" is the one where Jonathan is singing about Michael, but the title is confusing since he asks "why?" a lot in "Louder than Words."

* Robin sounded different to me. I saw him twice in In the Heights and I feel like his voice changed since 2017 (when I last saw him perform live). "No More" was fun to watch on screen though. Watching them dancing in the different places added to the humor. 

* It would be cool to see Superbia as an actual musical. Maybe Lin-Manuel could work his magic and bring it to life even more.

* "Swimming" was new and different. It reminded me of "Contact" from Rent in some ways. It's one of those songs that grows on you after a few listens. (I just wondered how he had time to swim if he didn't have time to talk with Susan and Michael.) I like how it inspired him to write "Come to Your Senses." Speaking of which, I loved how great Alexandra and Vanessa sounded in that song. I sometimes had trouble telling their voices apart, but then they harmonized really well.

* I wasn't really sure how "Play Game" fit in, but I love how the rapper auditioned for Cats at the end. 

* In the stage production, all three actors sang "Johnny Can't Decide", which I think worked better since they were all talking about themselves in third person. 

If you've seen tick, tick... Boom!, I'd love to hear your thoughts!

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