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| Courtesy of IMDb |
When I first started this blog, I posted about how much I love In the Heights. Since seeing it on Broadway in 2009, I've seen it twice more on stage. The first time was at a community college theater, where I took my older son to see it for the first time. I fell in love with it all over again, and he got really into it too. The second time was at a local professional theater, where Robin de Jesus (who I originally saw as Sonny on Broadway) was playing Usnavi. Another wonderful performance! So when I found out it was going to become a movie, I was ecstatic. It was originally slated for last summer, but due to the pandemic, it was postponed. However, I finally got to see it this past weekend....and it was amazing! Anything mentioned below will only be a bit of a spoiler if you've seen it on stage. (And I'm not including some aspects as to not completely spoil the way the movie plays out.)
There are a bunch of differences between the stage production and the movie, but I thought the movie did a great job of fitting the songs into the story in a different way. The songs were not in the same order as they were in the stage production. I first noticed this with "Benny's Dispatch" coming in before "Breathe." "Paciencia y Fe" was moved to after "Blackout" and before "Alabanza." "It Won't Be Long Now" came in after "No Me Diga." "Piragua" came before "When You're Home", etc. A few songs were taken out altogether, including "Inutil," "Sunrise," "Hundreds of Stories", "Enough," and "Everything I Know." Certain plot points were also changed as a way of excusing the songs from being in the movie.
What they did with the songs that were included was nothing short of incredible. I loved how "96,000" was set at their local pool and all the choreography in the water. "Carnaval Del Barrio" was a lot of fun too, with Daphne Rubin-Vega (Mimi from the Original Broadway Cast of Rent) leading it as Daniela. I loved Lin-Manuel as the piragua guy singing his one song and somewhat duking it out with Mr. Softee, played by Christopher Jackson (Benny from the OBC of In the Heights and George Washington from the OBC of Hamilton).
Anthony Ramos was perfect as Usnavi. He almost made me forget that Lin-Manuel originally starred in that role on Broadway. He had a very strong supporting cast and it just felt like everyone enjoyed each other's company the entire time. Most of the cast was new to me, but Olga Merediz played Abuela Claudia once again. I also was familiar with Jimmy Smits and thought he was great as Kevin (Nina's father). The kid who played Sonny (Gregory Diaz IV) was great too. He reminded me of Betty's nephew from Ugly Betty, at least in looks. I found out that he's only 16 in real life, but was probably closer to 14 or 15 when this was filmed. Both Corey Hawkins (Benny) and Melissa Barrera (Vanessa) were great and their voices had a Rent quality to them. I enjoyed watching Leslie Grace as Nina, as well. As I mentioned before, Daphne Rubin-Vega played Daniela and she fit the role better than I was expecting. I liked Stephanie Beatriz and Dascha Polanco (Daya from Orange is the New Black) as Carla and Cuca, respectively. I had no idea until later that Marc Anthony played Sonny's father! While I did miss Nina's mom, I get why they wrote her out of the story.
The scenery made such a huge difference between seeing it on stage and seeing it on film. They really brought Washington Heights to life. I've never been in that part of NYC, but I enjoyed taking it all in. (I used to think the bodega was outside because of how it looked on stage.) I love how busy everything looked all the time, with people just going about their usual business while singing at the same time and everyone hanging out on their front steps. I really got a sense of community from watching everything play out on film.
There was also an element of magical realism, which I wasn't expecting. I love how the wig heads were moving around during "No Me Diga" and how they were drawing things with their hands in "96,000." However, dancing and walking sideways on a building in "When the Sun Goes Down" just made me nervous. It had a La La Land quality to it though.
Since I knew all the songs, it was nice to be able to focus on everything else going on, but I still feel like I missed a lot because so much was happening. Like certain cameos from actors who were in the Broadway cast at some point. I did catch the Hamilton Easter egg though. That was hard to miss!
In the Heights is written in such a way that it could take place in a variety of time periods. It's fluid and doesn't have to be stuck in the early 2000s. This time around, there was more focus on Dreamers and being undocumented. This added an extra essence and some more depth to the story.
Overall, I laughed, cried, tried very, very, VERY hard not to sing along, got caught up in the beauty and chaos, and just loved it so much. I already want to watch it again! If you haven't seen it yet (or if you have and missed doing so), watch to the very end for an extra special treat. ;)
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